LONDON  GRIP

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LONDON GRIP international cultural magazine


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ART EXHIBITIONS ON

LONDON GRIP:


James N. Butcher

Watercolours: A Late-Life Adventure


Charles Girdham

Photography


Adam Hahn

Portraits in oil


David Hirschowitz Photography


Michael Horovitz

Retrospective Art Exhibition


Phillip Kotokwa

Sculpture from Zimbabwe


Zygmunt Nowak-Solinski

Photography


Cathy MacAulay-Cornish  installation:

Walking in Bloomsbury


Daphne Plessner

“Girlie” Paintings


Jacques Touitou

Paintings


Sandra Walker, R.I.

Watercolours

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EXHIBITIONS


Michael Davenport reviews SEDUCED


Teresa Howard

Art in ROMANIA:

on Cantacuzino


Duncan Prowse

Hadrian & Babylon at the British Museum


Ruth Rosengarten

Painting & Photography


Storm Thorgerson,

maker of

Pink Floyd’s image


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FILM, THEATRE, MUSIC


Helen Donlon on female sexuality in Brian De Palma's 

The Black Dahlia  & Body Double

Helen Donlon on film director Philippe Garrel

Helen Donlon on Ibiza

  1. opening season

  2. mid-season

  3. closing season

Helen Donlon on Savage Grace


Patricia Morris

reviews Redacted -

Brian de Palma’s

latest film on Iraq


Pamela Nomvete interviewed by Jessica Campbell


B.J.Rahn on Shakespeare’s Midsummer Night’s Dream

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POLITICS, ECONOMICS & SOCIETY


ECONOMY

Michael Davenport on the recession


AFRICA

João de Pina-Cabral

Racialised Africa


My May  ’68

London Grip

contributors


Duncan Prowse

The 1960s


BRAZIL

Ruling about Race -

An Open Letter


BRITAIN

Duncan Prowse

argues against

identity cards


IRAQ

Hayder Abdul-Hussein an anthropologist in Basra


SOUTH AFRICA

Patricia Morris

(1) The Poverty of Power

(2)KwaZulu-Natal

(3)Johannesburg

(4)The Cape


David Philips -

The Freedom Charter

David Philips on the

TRC (Part 1, Part 2, Part 3)


YEMEN

Gabriele vom Bruck

on men and women

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PSYCHOTHERAPY


Jane McChrystal on appropriate choices

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THE WORD


Alan Lloyd

Linguistics: Slang


Michael Davenport

Two poems for our times

Seeargh Macaulay

The Trouble with Lingo

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SPORT

The Ian Hollings monthly column

Snooker’s conquest of China.

Sheena Blackhall



A Mother Worries


It’s Saturday, near midnight.

You’ve been a month in Norway,

A country eaten by fjords with wolvine teeth.

Have you found a decent room?


You’ll enter a bar alone

They’ll think you’re Georgian.


Beer there costs an arm and a leg

Winter’s long and dark as a bear’s mouth.

 

Is there a laundrette near?


You’ll order a gin and tonic

You’ll try English, Scots, a smattering of Thai.

The bar tender will reply in Bokmal or Nyorsk.

 

You’ve crossed the sea like a bird

To King Harald’s kingdom of fish, forests and oil

This is your feeding ground now.


Their currency’s the krone. It won’t stretch far.

Never forget that these are a Viking people.

 

Who are their heroes? Ibsen, Edvard Munch,

Visionaries of illness, madness and death

Always making a saga out of a sigh

 

Though you will not be troubled by vampires,

Elk and deer may commandeer the highway

Regardless of traffic signs


Elk are active during a full moon,

And after a heavy snow fall.

If you upset an elk, you should contact

A Sami shaman, who will sing a joik

To sooth the ruffled feelings of the animal.


Hardanger fiddles are topped

With the carved heads of beasts.

Their music is heavily polyphonic

Will you dance to their tune?

What will they change in you?

A mother worries.





Sheena Blackhall

Sheena Blackhall is a prize-winning writer, illustrator, traditional ballad singer and storyteller in North East Scotland. From 1998-2003 she was Creative Writing Fellow in Scots at Aberdeen University's Elphinstone Institute.  She has published four Scots novellas, ten short story collections, sixty poetry collections and two of her plays have been televised. (Portrait:  oil painting by Mike Knowles)

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Christoph Warrack



From the Bridge


One day I'll find out

When you drive over

That big bridge beyond Bristol

What all those cars are doing there


There must be nine, ten,

Eleven thousand of them

In gleaming rows

Stretched out in blocks

Around a factory.


At the edge of the lot

The manmade peters out

And a broad sandbank

Slopes down to an estuary

And that out to the channel

 

Of course if I wasn't in a car

I wouldn't even know to ask





Christoph Warrack

A London-based filmmaker and social entrepreneur, Christoph Warrack’s short films have been shown in six countries. He runs a fortnightly film club for homeless people in Soho, which welcomes international filmmakers, who have included Ken Loach, Pawel Pawlikowski and Mike Leigh, to introduce their work. He’s developing several new drama projects, and an online archive of filmmaker interviews. He reviews films for the Times Literary Supplement.

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Mahmood Jamal



I found U

 

I was afraid of losing

Your love

I lost your love.

Then, I was afraid of

Losing your friendship;

I lost your friendship.

Then I was afraid

Of losing my fear;

I lost my fear.

And

Then I found U

And lost myself!

 



©Mahmood Jamal 2008

Mahmood Jamal

Mahmood Jamal is a poet and film-maker and has been involved with the London Poetry scene for over 30 years. He is the editor and translator of the Penguin Book of Modern Urdu Poetry. His latest volume of poetry SUGAR-COATED PILL has won wide acclaim. He is currently editing and translating Islamic Mystical Poetry for Penguin Books. 

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LONDON GRIP POETRY

edited by  FRED D’AGUIAR


FRED D’AGUIAR,

the American-

based Guyanese-British

poet, playwright and

novelist, has received

awards from, amongst others,  the Malcolm X

Prize for Poetry, the

Whitbread Prize for a

first novel, the David

Higham Fiction Award

and the James Tait

Black Memorial Prize

for Fiction.



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LONDON GRIP

POETRY

SUBMISSION

GUIDELINES

To submit work to be

considered for publication

in London Grip Poetry,

email 3 to 5 poems of any

length up to 35 lines,

either as a Word Doc

attachment or in the body

of your email.  Please

add three short sentences

about yourself.


Email

londongrip@mac.com

 

Poems must surprise us.  Poems should continue to yield

riches when read once, twice, three times.

We welcome poems which engage with form. We welcome

poems whose formal and experimental properties

remain alternative and not featured in the mainstream of

poetry. Our remit as readers remains wide open and

as inclusive as possible. 

F.D.



Sheena Blackhall


Christoph Warrack


Mahmood Jamal

24 november 2008