Evita se Perron, Darling Station,

near Cape Town.

   Pieter-Dirk Uys, satirical actor, writer and ever-vigilant critic of the government, many years ago created an alter-ego whom he named Evita Bezuidenhout. Erstwhile ambassador for the fantastical but all too real Bantustan of Bapetikosweti, and now intermittent candidate for the presidency of South Africa, Evita is a character known by South Africans of every persuasion who seem frequently to forget that her existence is imaginary.  She is loved, laughed at and groaned at throughout the land.

    Pieter bought the small railway station at a town called Darling, north of Cape Town, and there established a theatre complex, cabaret-café, and craft shop. The café is crammed with grotesquely hilarious but genuine artefacts of the apartheid era, such as for instance the kitsch lamp, the base of which is a bust of the terrorizing architect of apartheid, Hendrik Verwoerd, who led the government from 1958 until he was murdered  in 1966.

  Countless framed photographs show Evita apparently being courted by the powers of the land - in this sample,  Helen Suzman, Freni Ginwale, Tony Leon, Cyril Ramaphosa,  F.W De Klerk, and, not least, Nelson Mandela.

    Trainees pose with t-shirts.  On the front:  “Auntie Evita says...” and on the back:   “Apartheid was a pigment of the imagination”;  “Hypocrisy is the vaseline of political intercourse”; “Love your enemy:  it will ruin his reputation”; and “The future is certain.  The past is unpredictable”.

    Pieter has also set up an outdoor museum which he has named “Boerassic Park”, exhibiting memorabilia of apartheid’s past.  Lest we forget.

HIV/AIDS Congress in Cape Town

     Photos: Delegates to the annual congress of the Treatment Action Campaign in Cape Town.  The TAC is a much respected organisation that campaigns for HIV treatment and prevention. The delegates’ t-shirts read: “TAC’s next decade: dignity, life and health equality for all”.

      Every year in South Africa  more than 60,000 babies are infected with HIV.  The Health Minister’s new protocols of January 2008 allow that there will be routine HIV tests for all pregnant women visiting antenatal clinics, and all babies born to HIV-positive mothers will be screened for HIV at six weeks and 18 months. HIV-positive pregnant women are to be treated with two drugs: a short course of AZT from the 28th week of pregnancy and a nevirapine pill during labour. Their babies will get a dose of nevirapine syrup and seven days of AZT, which, according to the Health Minister, will be more effective than nevirapine on its own, standard treatment in all provinces except Western Cape which introduced dual therapy three years ago.

    The new provisions make no change to the time for starting long-term therapy, on the grounds that treatment for HIV-positive expectant mothers should begin only when their CD4 count falls below 200.  However AIDS activists have called for a much earlier start of treatment at the CD4 count of 350. A CD4 count reflects the strength of the immune system which weakens as HIV progresses.  And contrary to recommendations from WHO and HIV paediatricians, government guidelines claiming insufficient scientific evidence to support a change, will not allow for using extra drugs to reduce the risk of nevirapine resistance in mothers.

   (Above right) In Stellenbosch, Paarl, and Franschoek, the wine estates and traditional Cape Dutch architecture still flourish, peaceful and well-kept.

    At a wine estate in Franschoek (above left), the luckily employed, uniformed from cap to trainer toe, suspend hollow globes which will serve as vases for the white flowers used to decorate the canopy for an afternoon wedding al fresco. Unfortunately thick smoke from nearby massive bush fires will cover utterly the celebrants’ romantic view of green hills.  Throughout the preparations,  the event designers battle to wipe down the white surfaces progressively darkening under the grey pall of ash.

(Audio: 2’18”)                       


Wellington, a school teacher from Zimbabwe, survives as a street vendor near the beach.  He is grateful for the chance to  be able to buy groceries which he packages and sends to his family in Zimbabwe with the driver of a long-distance bus. 

                                  L O N D O N   G R I P     .  .  .      Politics and Society

S O U T H   A F R I C A

OVERVIEW: The Poverty of Power

PASSING SHOTS:      KwaZulu-Natal       Johannesburg       The Cape

The Cape   2008

PASSING SHOTS

On 08/02/08, the football stadium being built for FIFA’s World Cup 2010 to be held in Green Point, Cape Town. (Click here for Ian Hollings’ sporting column, London Grip, February 2008)

(Audio: 4’49”.)

Aimé is an artist from the Democratic Republic of the Congo, who takes jobs where he can get them. He is currently working as a parking attendant near a Cape Town beach. He preferred not to be photographed for the interview. He lost his papers in Johannesburg.  To avoid being killed, he fled, “empty”, to the Cape. “It’s a long story,” he says.  He describes South Africa as a place where you can learn a lot but the people are xenophobic: foreigners such as himself risk being murdered.  “It is a criminal country”. People will murder you to get money for cigarettes, or to steal something like a phone or the interviewer’s voice recorder. The Congo is a quiet, good, Christian place.  Its only problem, he says, is that it has never had a good  president, but when it gets one, all the refugees will go back there.  


    View of Signal Hill from the top of Table Mountain, with Robben Island visible at upper right.                              Photo: D. Hirschowitz

Photography

On this page, header seascape photographs, views from the top of Table Mountain,

Cape Town,

by

David Hirschowitz.  See his exhibition in London Grip:

FROM THE SEA

click here


ARCHIVES

_______________

ART EXHIBITIONS ON

LONDON GRIP


James N. Butcher

Watercolours: A Late-Life Adventure


Charles Girdham

Photography


Adam Hahn

Portraits in oil


David Hirschowitz Photography


Michael Horovitz

Retrospective Art Exhibition


Phillip Kotokwa

Sculpture from Zimbabwe


Zygmunt Nowak-Solinski

Photography


Cathy MacAulay-Cornish  installation:

Walking in Bloomsbury


Daphne Plessner

“Girlie” Paintings


Jacques Touitou

Paintings


Sandra Walker, R.I.

Watercolours

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EXHIBITIONS


Michael Davenport reviews SEDUCED


Teresa Howard

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Duncan Prowse

Hadrian & Babylon at the British Museum


Ruth Rosengarten

Painting & Photography


Storm Thorgerson,

maker of

Pink Floyd’s image


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FILM, THEATRE, MUSIC


Helen Donlon on female sexuality in Brian De Palma's 

The Black Dahlia  & Body Double

Helen Donlon on film director Philippe Garrel

Helen Donlon on Ibiza

  1. opening season

  2. mid-season

Helen Donlon on Savage Grace


Patricia Morris

reviews Redacted -

Brian de Palma’s

latest film on Iraq


Pamela Nomvete interviewed by Jessica Campbell


B.J.Rahn on Shakespeare’s Midsummer Night’s Dream

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POLITICS, ECONOMICS & SOCIETY


ECONOMY

Michael Davenport on the recession


AFRICA

João de Pina-Cabral

Racialised Africa


My May  ’68

London Grip

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Duncan Prowse

The 1960s


BRAZIL

Ruling about Race -

An Open Letter


BRITAIN

Duncan Prowse

argues against

identity cards


IRAQ

Hayder Abdul-Hussein an anthropologist in Basra


SOUTH AFRICA

Patricia Morris

(1) The Poverty of Power

(2)KwaZulu-Natal

(3)Johannesburg

(4)The Cape


David Philips -

The Freedom Charter

David Philips on the

TRC (Part 1, Part 2, Part 3)


YEMEN

Gabriele vom Bruck

on men and women

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PSYCHOTHERAPY


Jane McChrystal on appropriate choices

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THE WORD


Alan Lloyd

Linguistics: Slang


Michael Davenport

Two poems for our times

Seeargh Macaulay

The Trouble with Lingo

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SPORT

The Ian Hollings monthly column

Snooker’s conquest of China.

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